"Entirely unpredictable." Read more
★★★★½ -Savannah Indigo, Arts Hub
“The Australian Ballet’s flawless, breathtaking Prism is a significant coming of age for the company. Seven Days is…incredibly dynamic, intimate and well-resolved. It shows a deep connection between the choreographer and the seven dancers and a true collaboration between contemporary dance and ballet. And the score is ridiculously gorgeous.” Read more
-yvette grant, the conversation
"Seven Days is an intoxicating, spirited joy from start to finish. Impeccably danced.” Read more
-Paul Selar, australian arts review
“Finally, the best for last: Resident Choreographer Stephanie Lake’s world premiere of Seven Days. Local dance master Lake stands exceedingly strong beside the likes of Robbins and Forsythe. She is a powerhouse of ingenuity and formation, making the most of simple wave patterns that blossom into dynamic conversations in movement. Danced with tremendous confidence and fluidity.” Read more
-Paris Wages, Classic Melbourne
“Evocative. Madcap. This tight septet races through time and space with great passion.” Read more
- The Australian
“Hypnotic” Read more
-Gracia Haby, Fjord Review
“The clear highlight of the evening, Seven Days deftly blends drama and humour across exacting sharp movement danced with terrifically crisp precision. Seven Days builds to an exciting climax that left the opening night audience thrilled, their approval loudly audible in the triumphant curtain call.” Read more
-Simon Parris, Man in a chair
“Electrifying”
-Liam Heitman-Ryce-LeMercier, Scenestr
“Lake brings to the stage the mess of ordinary lives – the unresolved, the comic, the awkward. A powerful piece.”